Jimbo Blachly

Solo Exhibitions

2011   
Lanquidity  Winkleman Gallery, New York, NY
Furling the Spanker: Highlights from the Chadwicks’ Nautical Collection (In collaboration with Lytle Shaw)  Winkleman Gallery, New York, NY

2008     
Genretron (In collaboration with Lytle Shaw)  Winkleman Gallery, New York, NY

2007    
Rear view of cottage with protective roof and attached well Sawhill gallery, James Madison University, Harrisonburg, Va

2002  
About 86 Springs SculptureCenter, Long Island City, NY


Group Exhibitions

2015    
Name It by Trying to Name It: Open Sessions 2014-2015 Drawing Center,New York, NY
2013
Postscript, writing after conceptual art(In collaboration with Lytle Shaw) MCA Denver, CO., The Powerplant,Toronto, Canada
Tandem Pursuits, Armor & Ichthyology (In collaboration with Lytle Shaw) Wave Hill, Bronx, NY
Send me the JPEG (In collaboration with Lytle Shaw)  Winkleman Gallery, New York, NY
2012 
Selected Shipwrecks(In collaboration with Lytle Shaw) Southern Exposure, San Francisco, CA.
Painting is History (In collaboration with Lytle Shaw)  Winkleman Gallery, New York, NY

2011 
Marklin World(In collaboration with Lytle Shaw)
Kunsthal KadE, Amersfoort, Netherlands
Otherworldly: Artist Dioramas and small spectacles (In collaboration with Lytle Shaw) Museum of Art and Design, New York NY
2010    
Seven Miami, Winkleman Gallery
EV + A (Annual Exhibition) (In collaboration with Lytle Shaw)  Hunt Museum, Limerick, Ireland
Companion (In collaboration with Lytle Shaw)  EFA Space, New York, NY
2009          
Sloth (In collaboration with Lytle Shaw)  David Nolan Gallery, New York, NY                                                                                              
Anthropology: Revisited, Reinvented, Reinterpreted (In collaboration with Lytle Shaw) Central Booking, Brooklyn, NY            
2008     
Gramophones, films, typewriters Tate Modern, London, England
2006    
Archicule Makor Gallery, Makor/Steinhardt Center of the 92nd Street Y, New York, NY
Soft Sites (In collaboration with Lytle Shaw) Institute of Contemporary Art/Bartram’s Garden, Philadelphia, PA
Garden Improvement (In collaboration with Lytle Shaw) Wave Hill, Bronx, NY
Another Place NURTUREart Gallery(at Supreme Trading), Brooklyn, NY
2005     
Strange Architecture Catherine Clark Gallery, San Francisco, Ca
Odd Lots White Columns, New York, NY
Wandering Plots a tour/performance (In collaboration with Lytle Shaw), Queens Museum of Art, Queens NY
2004  
Romantic Detachment (In collaboration with Lytle Shaw) P.S. 1, Long Island City, NY
Happy Medium Clementine Gallery, New York, NY
    

Awards
2014    Open sessions, Drawing Center, New York, NY
2005    Farpath Fellowship, Dijon France
2003    Rockefeller Foundation, Bellagio Fellowship
2002    SculptureCenter Prize
1998    Yaddo Fellowship
     Rotunda Gallery/Brooklyn Community Access Television Multi-Media Residency
1997    MacDowell Colony Fellowship
1996    Elizabeth Foundation for the Arts Grant
1993    Marie Walsh Sharpe Foundation: Studio Program Fellowship
    
Publications

2012    
Southern Exposure, SF./ Bookhorse, Zurich, Switzerland: Selected Shipwrecks
2008     
Bownes Library: The Chadwick Family Papers (A Brief Public Glimpse)
Jimbo Blachly & Lytle Shaw
2005    
Cabinet Books: “Odd Lots: Revisiting Gordon Matta Clark’s Fake Estates”
2004    
Fence: “Artist Project,” Vol. 6 #2 Fall/Winter pp.33-45    
2003    
SculptureCenter Inc: “Jimbo Blachly:  2002 SculptureCenter Prize”
Cabinet:“Artist Project: odd lots #3,” # 10 “Property” Spring p. 109

Press

2011    
Ellen Harvey, “The Chadwicks,” BOMB Magazine, Fall
Mathew Hassell, “Furling the Spanker: Masterworks from the Chadwicks’ Nautical Collection” NYArts, July 7
Margaret Knowles, “The Chadwicks,” Artforum, June 30
Charlie Schultz, “Back Back Story,” ArtSlant, June 26
Charlie Finch, 'New Art : A Day at the Races," Artnet.com, April 7, 2011
Franklin Einspruch, "An Excavation of Quiet Ambience," New York Sun, March 25

2008      
Jane Harris, The Chadwicks, “The Genretron” Time Out New York, no. 683, p. 108

2006      
Johnson, Ken,  “Two Odes to Nature, Grand and Demure” ” The New York Times, July 24
Newhall, Edith,” Traveling show finds a world of influences” Philadelphia Inquirer, May 12

2003    
Johnson, Ken, “Sprawl” The New York Times, January 23
Stern, Steven, “Jimbo Blachly, About 86 Springs,”
Time Out New York, no. 387, p. 65
Pollack, Barbara, “Jimbo Blachly, SculptureCenter,” ARTnews, March, p. 116
Princenthal, Nancy, “Jimbo Blachly at the Sculpture Center,” Art in America, May, p.138

2002    
Cotter, Holland, “Prospecting for Clear Springs in The Grittiest Urban Settings,”    
The New York Times, December 13, pp. E39, 42
Rosenberg, Karen, “Water Bearer-Going to the Spring with Jimbo Blachly,”
The Village Voice, December 25-31, p. 5

2000    
Saltz, Jerry, “Greater Expectations-Greater New York,”
The Village Voice,   March 14, p.67
Smith, Roberta,Stretching Definitions of Outdoor Sculpture,”
The New York Times,  July 28, pp. E29
Kino, Carol, “Surveying The Scene II: The Emergent Factor,” Art in America, July, p. 46
Mahoney, Robert, “Five Sculptors,” Time Out New York, no. 260, p. 108
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